제1장 연구 개요 ········································································································· 1 1. 연구 배경 및 연구 필요성 ··············································································· 1 2. 연구 목적 ········································································································· 4 3. 연구 내용 및 연구 범위 ··················································································· 4 4. 연구 방법 및 연구 추진 전략 ·········································································· 6 제2장 포스트 시네마 패러다임 ················································································ 10 1. 포스트 시네마 개념 및 이론 ·········································································· 10 2. 포스트 시네마 패러다임의 국내외 동향 및 전망 ··········································· 12 3. 포스트 시네마 시대의 영화·영상·미디어 ························································ 15 제3장 거버넌스 개념과 이론 ···················································································· 16 1. 거버넌스의 개념 및 정의 ··············································································· 16 2. 거버넌스 패러다임의 진화 ·············································································· 20 3. 시사점 ············································································································ 32 제4장 영화·영상·미디어 분야 국내외 동향 및 전망 ················································ 33 1. 글로벌 영화·영상·미디어 분야 동향 및 전망 ················································· 33 2. 국내 영화·영상·미디어 분야 동향 및 전망 ···················································· 43 3. 부산 영화·영상·미디어 분야 현황 및 특징 ···················································· 54 4. 시사점 ············································································································ 57 제5장 부산 영화·영상·미디어 거버넌스 현황 및 여건 ············································· 58 1. 2000년대 이후 부산 영화·영상·미디어 정책 ················································· 58 2. 부산 영화·영상·미디어 거버넌스 현황 및 여건 ············································· 60 3. 전문가 자문 의견 ··························································································· 64 4. 시사점 및 개선 방향 ······················································································ 66 제6장 국내 주요 사례 ······························································································ 68 1. 인천 ················································································································ 68 2. 전라북도·전주 ································································································· 75 3. 충청남도·대전 ································································································· 80 4. 시사점 및 부산의 방향성 ··············································································· 84 제7장 해외 주요 사례 ······························································································ 86 1. 프랑스 클레르몽페랑 ······················································································ 86 2. 독일의 영화·영상·미디어 진흥 전략 ······························································ 90 3. 미국 버추얼 시네마 ························································································ 94 4. 시사점 및 부산의 방향성 ··············································································· 98 제8장 부산 영화·영상·미디어 거버넌스 모델 제안 ················································ 100 1. 거버넌스 구축 배경 및 필요성 ···································································· 100 2. 부산 영화·영상·미디어 거버넌스 한계 및 개선 방향 ·································· 101 3. 재매개화된 협력적 하이브리드 거버넌스 모델 ············································· 102 제9장 결론 및 제언 ······························································································· 110 Abstract ················································································································ 113 참고문헌 ················································································································· 115

<표 3-1> 범위·제도·관점·이해관계에 따른 거버넌스 개념 및 정의들 ·························· 18 <표 3-2> 사회문제 성격·유형에 따른 적절한 거버넌스 양식 ········································ 23 <표 3-3> 상호의존성의 세 가지 유형과 특징 ······························································· 25 <표 3-4> 사회문제 유형 분류 예시 ··············································································· 26 <표 4-1> 세계 콘텐츠시장 규모 및 전망, 2015-2024 ················································ 37 <표 4-2> 국가별 콘텐츠시장 규모 및 전망, 2015-2024 ············································ 39 <표 4-3> 글로벌 영화·영상·미디어 동향 및 전망 ························································· 40 <표 4-4> 2018~2020 국내 콘텐츠 산업 매출액 규모 ················································· 46 <표 4-5> 2018~2020 국내 콘텐츠 산업 수출액 규모 ················································· 47 <표 4-6> 2018~2020 국내 콘텐츠 산업 종사자 규모 ················································· 48 <표 4-7> 국내 지역별 영화·영상·미디어 분야 사업체 수 ············································· 49 <표 4-8> 국내 지역별 영화·영상·미디어 분야 매출 규모 추이 ···································· 50 <표 4-9> 영화·영상·미디어 분야의 ESG 목표 및 실천 방법 ······································· 53 <표 4-10> 부산 영화·영상·미디어 분야 SWOT 분석 및 대응 전략 ···························· 56 <표 5-1> 부산 영화·영상·미디어 거버넌스 주요 주체들 ··············································· 61 <표 8-1> 거버넌스 구축을 위한 단계별 추진 전략 ····················································· 107 <표 8-2> 재매개화된 거버넌스 구성단위 형태 및 특징 ·············································· 108

<그림 1-1> 연구 흐름도 ·································································································· 9 <그림 2-1> 2020년 이후 OTT 공개 영화들 ································································ 14 <그림 3-1> 현대 서유럽 국가들의 거버넌스 양식의 진화 ············································· 23 <그림 3-2> 협업의 스펙트럼 ························································································· 27 <그림 3-3> 계층제·시장·네트워크 거버넌스 간 갈등 요인 ··········································· 28 <그림 4-1> 세계 콘텐츠시장 규모 및 전망, 2015-2024 ············································ 36 <그림 4-2> 세계 콘텐츠시장 산업별 점유율, 2015 vs 2019p vs 2024 ··················· 38 <그림 4-3> 2019~2021 국내 콘텐츠 산업 매출 규모 추이 ········································ 44 <그림 4-4> 2019~2021 국내 콘텐츠 산업 수출 규모 추이 ········································ 44 <그림 4-5> 2019~2021 국내 콘텐츠 산업 종사자 수 추이 ········································ 45 <그림 4-6> ‘코로나19 극복 콘텐츠산업 혁신전략’ 주요 내용 ······································ 51 <그림 4-7> 부산의 주요 영화·영상·미디어 분야 유관 기관 및 단체 ··························· 54 <그림 7-1> 2018년 기준 독일 영화·영상산업 매출 규모 ············································· 90 <그림 8-1> 재매개화된 협력적 하이브리드 거버넌스 개념도 ······································ 104